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VOL. 2, NO. 1 (April 2022)

Preliminaries

REGULAR ARTICLES

Lakas ng Feministang Makabayan Laban sa Patriyarkang Diktadurya ng Imperyo: Pagsubok sa Interpretasyon ng Dekada ’70 ni Lualhati Bautista
E. San Juan, Jr.

Myth, Dreams and Resistance in Ninotchka Rosca and Emmanuel Lacaba’s Fictions
Kathrine Domingo Ojano

Fictionalizing Error in Edberto Villegas’ Barikada
Laurence Marvin S. Castillo

Freedom and Complicity: The Case of Horison and Solidarity, two CCF Journals in Southeast Asia
Amado Anthony G. Mendoza III

Kritika ng Kritika ng Post-Kolonyalismo: Ang Abstraktong Unibersalismo ni Vivek Chibber
Ramon Guillermo

 

REVIEW

Reading about a Lost Film: A review of Ang Daigdig ng mga Api: Remembering a Lost Film by Clodualdo Del Mundo, Jr.
Shirley O. Lua

 

Contributors and Guidelines for Submissions

VOL. 1, NO. 3 (January 2022)

Preliminaries

PERSPECTIVES ON GENDER AND SEXUALITY IN PHILIPPINE LITERARY AND CULTURAL STUDIES

Woman, in Parts
Noelle Leslie dela Cruz

The Writing of State of Happiness: Writing the Archipelago
Clarissa V. Militante

Lesbian-Essaying through Textual In(ter)ventions in Memoir
Jhoanna Lhynn B. Cruz

Womanunulat: Popular critical writing as performance 
Katrina Stuart Santiago

Precarity and Motherhood in Philippine Trans Cinema
Mikee Inton-Campbell

Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
Gary C. Devilles

Ang Boys’ Love bilang Papausbong na Telebiswalidad
Louie Jon A. Sanchez

Contributors and Guidelines for Submissions

VOL. 1, NO. 2 (October 2021)

Preliminaries

REGULAR ARTICLES

“Thrilla in Manila”: Troubling Theatricality and Uneasy Spectator Affects Surrounding the Ringside Bar Midget Boxing and Wrestling
Neslie Carol Tan

 “A Sick Way of Thinking?”: The Unorthodox Dramaturgy of Young Jean Lee’s Identity Politics Theater
Io Chun Kong

Institutionally Speaking: Speech Departments and the Making of a Philippine Eloquent Modernity
Oscar Tantoco Serquiña, Jr.

The Haunting Power of Sound in Aswang
Katrina Macapagal

A Politics and Ethics of Viewing Photographs of Duterte’s “Drug War”: Towards Reconceptualizing the Political Community
Rosa Cordillera A. Castillo

Lost in Adaptation: Antifidelity and/in Mike De Leon’s Bilanggo sa Dilim and Bayaning 3rd World
Anne Frances N. Sangil

 

Contributors and Guidelines for Submissions

VOL. 1, NO. 1 (April 2021)

Preliminaries

REGULAR ARTICLES

Takeshi Kawamura’s Tokyo Trauma: Performing Gender and Sexuality
Toshi Pau

Examining Flow through Auto-ethnography and Performance Studies
Reagan Romero Maiquez

The Surviving Sunset of Manila Bay and the Ethics of Environmental Justice in Philippine Ecopoetry
Rina Garcia Chua

“Wrestling with the Angels”: The Limits of Postcolonial Performativity
Antonette Talaue-Arogo

PERSPECTIVES

Myth and the Creative Imagination
J. Neil Garcia

The Poetry of Everyday Things: Poetics and the World
Fidelito C. Cortes

CREATIVE WORKS

Adumbrant
Richard Cornelio

Ang Macabagong Alfabetong Pilipinx
Kabel Mishka Ligot

Night Boats and Other Poems
Allan Popa

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